The interest of the Piazzolla "Four Seasons of Buenos Aires" lies in the lengthy violin solos, which range from flashy virtuoso rounds to smoldering lyricism. All of these were dispatched with the requisite fireworks by Irina Muresanu, whose combination of fire and poise made the performance irresistible.

— Boston Globe
February 1, 2010

Violin soloist Irina Muresanu rallied in grand fashion in the Brahms Violin Concerto, on the one hand giving a demonstration of near exacting discipline and on the other hand exhibiting true feeling. Never retreating from its extensive demands, an intense Muresanu combed through all of the finery, fiery, fleet and flowing.

— Boston Musical Intelligencer
March 16, 2009

Irina Muresanu is superb in the Lekeu and Magnard sonatas recording, with a rich, sweet, full tone that does a measure of justice to Ysaye’s style of interpretation – she even makes judicious use of forbidden portamenti that is appropriate to the period and idiom of the music.

— All Music Guide
April 2007

The Prokofiev Concerto was superbly rendered by Irina Muresanu. Matching her sonorous tone was a solid technique that combined to make this performance one of heightened artistry.

— Virginia Gazette
September 16, 2006

There were no superficial frills in this concert, only the urgency of the music alone, distilled by the magic violin of Irina Muresanu. [She] reigned over Brahms' music…

— Telerama, France
August 27, 2004

Irina Muresanu is one of the finest violinists we’ve ever heard. [She] can raise the roof where needed, and is technically equal to anything. A sensational concert.

— Waterloo Gazette, Ontario
February 4, 2004

[In] Paganini’s most famous Caprice for solo violin No. 24, Muresanu has mastered the spectacular stunts to such extent that she could use them to make delightful music.

— Boston Globe
January 10, 2004

Ms. Muresanu is a glorious violinist of great personality who moves effortlessly within the warp and woof of ensemble playing.

— New York Concert Review
Spring, 2001